Shuklas : Rare Melodies of Lata Mangeshkar- Rajrani Meera- Mere to Giridhar Gopal
#881
Posted 22 March 2012 - 12:17 AM
DAAG (1952)
DILIP KUMAR, NIMMI, USHA KIRAN, LEELA MISHRA, LALITA PAWAR,
KANHAIYA LAL, JAAWAHAR KAUL
Produced By: MARS MOVIES
Directed By: AMIYA CHAKARBORTY
Music By: SHANKER JAIKISHAN
#882
Posted 22 March 2012 - 12:21 AM
Movie: Milan (1958)
Director: Kedar Kapoor
Cast: Nalini Jaywant, Ajit, Nishi.
Lyrics: Prem Dhawan
Music: Hansraj Behl
Singer: Lata Mangeshkar
#883
Posted 24 March 2012 - 08:15 PM
#884
Posted 27 March 2012 - 10:10 PM
Lata Mangeshker-Malkin -Mahobat ne kya kya tamasha-Music-Roshan Lal (Sursangat.com).mp3
Lata Mangeshker-Malkin-Un ko apna bana ke chhod deeya-Music-Roshan Lal (Sursangat.com).mp3
#885
Posted 30 March 2012 - 12:53 AM
Ghalib, Lata and Pt. Hridaynath Mangeshkar make a rare eclectic combination for this album on Ghazals. These nine hand-picked ghazals by the great 19the century master poet MIRZA GHALIB, bring out the essence and versatility of his incredible work. To begin with, Ghalib broke loose from the conventional form of the then prevailant Urdu poetry, to express with power and sensitivity the tenderest feelings through his ghazals. In a life that veered through luxury and poverty, fame and imprisonment, glory and injustice, Ghalib’s turbulent life was enriched enough to express through his poetry, every human emotion and sentiment. As future Urdu poets would remark - ‘there is nothing in life that Ghalib has left untouched through his immortal verses’. Words and verses when drenched in music create a song that lingers in immortality. For this, the composer paints notes that enrich the feel of the lyric and enhance the word value. PANDIT HARIDAYNATH MANGESHKAR has stood out for precisely this very rare gift. His passion for poetry in several languages, his ability to select and nurture poets, has created a vast anthology of songs that remains fresh purely on the strength of his unique quality to weave the poetic thought into the tapestry of his distinctive music. In this selection, you will notice the flawless cadence of Ghalib’s lines glowing richly in Pt. Hridaynath’s melodies. The confluence of words and music, so painstakingly balanced, needs on ideal interpreter to bring to a composition. The reason why Lata Mangeshkar stands out as the voice of the century is largely due to her magical quality of presenting every song that caresses the ears with musical perfection, and warms the heart with her subtle word pointing, Lata’s rendition remains the definitive interpretation of any composition, and in these ghazals recorded at her peak, bring you Ghalib with feeling. In addition, this CD contains two more Ghalib ghazals tuned by Faiyyaz Shoukat, and a Wajid Ali Shah composition set to music by Pt. Hridaynath Mangeshkar. Also included are three rare ghazals composed by K.Mahavir penned by Shakeel Badayuni, Khalish Dehlvi and Abhilash, from one of the very few private albums that Lata Mangeshkar recorded in her unparalled career of six decades. Source: www.exoticindiaart.com
01 Naqsh Fariyadi Hai
02 Dard Minnal Kasha Dawa Na Hua
03 Rone Se Aur Ishq Mein
04 Yeh Hum Jo Hijr Mein
05 Phir Mujhe Deeda-E-Tar Yaad Aaya
06 Koi Umed Bar Nahin Aati
07 Kabhi Neki Bhi Uske Jee Mein Gar
08 Bazeecha-E-Atfaal Hai
09 Hazaron Khwahishen Aise
10 Har Ek Baat Pe
11 Daher Main Haqsh-E-Wafa
12 Aankh Se Aankh Milata Hai Koi (Shakeel Badayuni)
13 Ahd-E-Gam Mein Bhi (Khalish Dehlvi)
14 Aaj Ki Raat Na Jaa (Khalish Dehlvi)
15 Dil Main Lekar Tumhari Yaad Chale (Wajid Ali Shah
DOWNLOAD LINK :
http://www.mediafire.../?9yqcczr3ch74h
#886
Posted 31 March 2012 - 01:02 PM
#888
Posted 06 April 2012 - 06:28 PM
#890
Posted 08 April 2012 - 01:53 PM
#891
Posted 12 April 2012 - 12:17 AM
#893
Posted 23 April 2012 - 12:08 AM
Phool bane angarey(1963) - 01 - lata - sambhal to le dil - lyrics anand bakshi - md kalyanji anandji
#894
Posted 25 April 2012 - 10:57 PM
#895
Posted 29 April 2012 - 12:32 AM
”Meera rightly belongs to the world tradition of women mystics, and a variety of legends have grown around her life. Meera was, by all accounts, a Rajput princess who flourished in the 16th Century. Widowed while still in her teens and with nothing to look forward to in the world, she consecrated herself wholly to religion. Immersed in her holy love of Lord Krishna, she soon forsook the splendour of palace life in quest of a personal God. Her restless, unyielding spirit led her to far-flung places. Bare-footed, the erstwhile princess spanned the vast expanse of North India, singing lyrical songs that were full of devotion, surrender and abandonment to Lord Krishna, and she attracted a vast following wherever she went. Legend has it that Meera sang her way to union with the flute-playing cowherd God at Dwarka, the earthly abode of Lord Krishna, in Gujarat State.”
01 Sanvaro Nandnandan
02 Kinun Sang Khelun Holi
03 Mhare Re Giridhar Gopal
04 Thane Kain Kain Bol
05 Maee Mhano Supnama Parnare Dananath
06 Oji Hari Kit Gaye
07 Ramaiya Bin Nind Na Aave
08 Sanvara Mari Preet Nibhajonji
http://www.mediafire.../?twgw2h0tv5gbm
#896
Posted 05 May 2012 - 04:59 PM
#897
Posted 11 May 2012 - 12:51 AM
#898
Posted 21 May 2012 - 06:43 PM
#899
Posted 27 May 2012 - 08:25 PM
#900
Posted 03 June 2012 - 10:13 PM

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