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Ashwini Bhide at Darbar Festival 2009
Shuklas :Ashwinee Bhide Deshpaande Shuddh Kalyan & Others
#41
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Posted 05 September 2011 - 11:04 PM
#42
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Posted 29 November 2011 - 11:18 PM
#43
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Posted 28 December 2011 - 03:11 PM
Ashwini Bhide Deshpande Raga Bageshri
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Posted 20 January 2012 - 10:10 PM
Ashwini Bhide Deshpande - Raga Bhimpalas
Ashwini Bhide Deshpande
Raga Bhimpalasi ( 28.37 )
From the original recording of the serie " Young Masters ".
Ashwini Bhide Deshpande
Raga Bhimpalasi ( 28.37 )
From the original recording of the serie " Young Masters ".
#45
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Posted 01 March 2012 - 06:11 PM
Ashwini Bhide Deshpande-Rythm House Collection
01 Raga Pooriya Dhanashri
02 Raga Bhoop
03 Bhajanhttp://www.mediafire.../?rxdnxfjw5zlnq
01 Raga Pooriya Dhanashri
02 Raga Bhoop
03 Bhajanhttp://www.mediafire.../?rxdnxfjw5zlnq
#46
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Posted 04 August 2012 - 12:36 AM
Ashwini Bhide Deshpande and Pt Biswajitroy Choudhury Raga- jhinjhoti
#47
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Posted 20 October 2012 - 12:19 AM
Raag Malkauns by Ashwini Bhide Deshpande
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Posted 31 October 2012 - 06:53 PM
Ashwini Bhide Deshpande - Raag Rang Vol. I
Ashwini Bhide Deshpande, an outstanding vocalist of the famed “Jaipur-Atrauli” Khayal Gayaki tradition, represents the new generation of veterans worthy of wearing the mantle of the old masters. Thoroughly grounded in the Jaipur Atrauli Khayal Gayaki tradition, Ashwini has developed into an artiste of immense public acclaim earning high praise from discerning critics and music lovers all over the globe. Ashwini’s musicianship is characterized by a blend of tonal sweetness coupled with vitality and emotion and raga structure-architecture. Her raga delineation shows an unerring grasp over the grammar of the raga yet maintaining a soulfulness in her singing. Through this she has succeeded in building up her own loyal audience. She yearns to explore the pathos of rare and complex (“achchop”) ragas characteristic of her Gharana. In this effort she has received invaluable guidance from her Guru the late Pt. Ratnakar Pai, a senior stalwart of the Gharana. This, and of course, her mother’s unstinted support, added to her own mature introspection lead Ashwini to new horizons of the ever-expanding terrain of Hindustani Classical Music.Although a classicist by temperament and training, Ashwini is equally at ease with lighter varieties like Thumri-Dadra and Bhajans/Abhangs. Add to this, her fluency in Sanskrit enriches her repertoire further by inclusion of stotras/stutis. Ashwini has added to her devotional repertoire by scoring the music herself of many of her devotional presentations. Source: http://www.ashwinibh...
01 Raga Bihag - Baje Re Mori Payal Zanana & Lat Ulzi Sulza Ja Balam
02 Raga Bhinna Shadaj - Barasan Lagi Badriya & Ja Re Ja Re Ja Ja Kagawa
03 Kabir Bhajan - Chadar Ho Gayi Bahut Purani
http://www.mediafire.../?75cw6eqx8pzhz
Ashwini Bhide Deshpande, an outstanding vocalist of the famed “Jaipur-Atrauli” Khayal Gayaki tradition, represents the new generation of veterans worthy of wearing the mantle of the old masters. Thoroughly grounded in the Jaipur Atrauli Khayal Gayaki tradition, Ashwini has developed into an artiste of immense public acclaim earning high praise from discerning critics and music lovers all over the globe. Ashwini’s musicianship is characterized by a blend of tonal sweetness coupled with vitality and emotion and raga structure-architecture. Her raga delineation shows an unerring grasp over the grammar of the raga yet maintaining a soulfulness in her singing. Through this she has succeeded in building up her own loyal audience. She yearns to explore the pathos of rare and complex (“achchop”) ragas characteristic of her Gharana. In this effort she has received invaluable guidance from her Guru the late Pt. Ratnakar Pai, a senior stalwart of the Gharana. This, and of course, her mother’s unstinted support, added to her own mature introspection lead Ashwini to new horizons of the ever-expanding terrain of Hindustani Classical Music.Although a classicist by temperament and training, Ashwini is equally at ease with lighter varieties like Thumri-Dadra and Bhajans/Abhangs. Add to this, her fluency in Sanskrit enriches her repertoire further by inclusion of stotras/stutis. Ashwini has added to her devotional repertoire by scoring the music herself of many of her devotional presentations. Source: http://www.ashwinibh...
01 Raga Bihag - Baje Re Mori Payal Zanana & Lat Ulzi Sulza Ja Balam
02 Raga Bhinna Shadaj - Barasan Lagi Badriya & Ja Re Ja Re Ja Ja Kagawa
03 Kabir Bhajan - Chadar Ho Gayi Bahut Purani
http://www.mediafire.../?75cw6eqx8pzhz
#49
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Posted 03 December 2012 - 12:45 AM
Raga Jog - Ashwini Deshpande
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Posted 05 May 2013 - 11:39 PM
Ashwini Bhide Deshpande - Raag Rang - Classical Vocal
Because of her strong influences from the Jaipur-Atrauli Gharanas, Dr. Bhide-Deshpande, has created her own musical style that respects the vocal culture and presentation aesthetics of the Jaipur-Atrauli Gharana. She holds a strong command over the three primary saptaks.
Ashwini Bhide is not only a music scholar but is also blessed with a beautiful voice. I have personally known Ashwini since her early teens and it makes me so happy to see her blossom into such a wonderful Khayal singer. She has earned the reputation of being one of the top young artists of India… Having learnt many old compositions, she has been able to retain the spirit of the tradition through the dialects she has used as well as pay attention to the subject matter!
— Pt. Ravi Shankar
1-01 Raag Bihag - Baje Re Mori Payal Zanana - Vilambit Teentaal (Night Melody)
1-02 Raag Bhinna Shadaj - Barasan Lagi Badriya - Madhyalya Teentaal (Night Melody)
1-03 Kabir Bhajan - Chadar Ho Gayi Bahut Purani
http://174.36.33.34/...-%20Vol%201.zip
Because of her strong influences from the Jaipur-Atrauli Gharanas, Dr. Bhide-Deshpande, has created her own musical style that respects the vocal culture and presentation aesthetics of the Jaipur-Atrauli Gharana. She holds a strong command over the three primary saptaks.
Ashwini Bhide is not only a music scholar but is also blessed with a beautiful voice. I have personally known Ashwini since her early teens and it makes me so happy to see her blossom into such a wonderful Khayal singer. She has earned the reputation of being one of the top young artists of India… Having learnt many old compositions, she has been able to retain the spirit of the tradition through the dialects she has used as well as pay attention to the subject matter!
— Pt. Ravi Shankar
1-01 Raag Bihag - Baje Re Mori Payal Zanana - Vilambit Teentaal (Night Melody)
1-02 Raag Bhinna Shadaj - Barasan Lagi Badriya - Madhyalya Teentaal (Night Melody)
1-03 Kabir Bhajan - Chadar Ho Gayi Bahut Purani
http://174.36.33.34/...-%20Vol%201.zip
#51
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Posted 13 May 2013 - 11:23 PM
Ashwini Bhide Deshpande - Raag Rang - Classical Vocal - Vol 2
Because of her strong influences from the Jaipur-Atrauli Gharanas, Dr. Bhide-Deshpande, has created her own musical style that respects the vocal culture and presentation aesthetics of the Jaipur-Atrauli Gharana. She holds a strong command over the three primary saptaks.
Ashwini Bhide is not only a music scholar but is also blessed with a beautiful voice. I have personally known Ashwini since her early teens and it makes me so happy to see her blossom into such a wonderful Khayal singer. She has earned the reputation of being one of the top young artists of India… Having learnt many old compositions, she has been able to retain the spirit of the tradition through the dialects she has used as well as pay attention to the subject matter! — Pt. Ravi Shankar
2-01 Raga Madhuwanti Shiv Aad Madha Annt - Madhyalaya Jhaptaal & Tu Hi Rab Garibnavaz - Drut Ada Chautaal (Afternoon Melody)
2-02 Raga Jog - Ja Re Ja Ja Kagawa - Tarana - Madhyalaya Ektaal (Night Melody)
2-03 Raga Jhinjhoti - Pati Devan Mahadeo Shiv Shambu - Madhyalaya Teentaal & Aakhiya Unso Lag Rahi Mori - Drut Teentaal (Night Melody)
2-04 Raga Nayaki Kanada - Mero Piya Rasiya - Madhyalaya Rupak & Ratiya Mai Jagi Re - Drut Teentaal (Night Melody)
http://174.36.33.34/...-%20Vol%202.zip
Because of her strong influences from the Jaipur-Atrauli Gharanas, Dr. Bhide-Deshpande, has created her own musical style that respects the vocal culture and presentation aesthetics of the Jaipur-Atrauli Gharana. She holds a strong command over the three primary saptaks.
Ashwini Bhide is not only a music scholar but is also blessed with a beautiful voice. I have personally known Ashwini since her early teens and it makes me so happy to see her blossom into such a wonderful Khayal singer. She has earned the reputation of being one of the top young artists of India… Having learnt many old compositions, she has been able to retain the spirit of the tradition through the dialects she has used as well as pay attention to the subject matter! — Pt. Ravi Shankar
2-01 Raga Madhuwanti Shiv Aad Madha Annt - Madhyalaya Jhaptaal & Tu Hi Rab Garibnavaz - Drut Ada Chautaal (Afternoon Melody)
2-02 Raga Jog - Ja Re Ja Ja Kagawa - Tarana - Madhyalaya Ektaal (Night Melody)
2-03 Raga Jhinjhoti - Pati Devan Mahadeo Shiv Shambu - Madhyalaya Teentaal & Aakhiya Unso Lag Rahi Mori - Drut Teentaal (Night Melody)
2-04 Raga Nayaki Kanada - Mero Piya Rasiya - Madhyalaya Rupak & Ratiya Mai Jagi Re - Drut Teentaal (Night Melody)
http://174.36.33.34/...-%20Vol%202.zip
#52
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Posted 14 May 2013 - 12:16 AM
Ashwini Bhide Deshpande-Bhajan-Daiya kahan brij ke basaiya.mp3
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01 - Ashwini Bhide Deshpande-Bhajan-Daiya kahan brij ke basaiya.mp3 (5.14MB)
Number of downloads: 12
